Search the site
The Gossips or Women chatting
Camille Claudel (1864 -1943)
In a letter dated 1893 to her brother Paul, Claudel mentions a small group of three women listening to another, all seated behind a screen. Possibly inspired by a scene she had observed in a railway carriage, The Gossips was exhibited in the plaster version at the Paris Salon in 1895. Two years later, an onyx and bronze version was also shown at the Salon. Two other versions of the same work, in marble and bronze, marble or plaster, exist in public and private collections.
Presented as a Life Study, the title given to the exhibit at the Salon in 1895, it is one of Claudel’s most original works. In the Musée Rodin version, the emphasis is on the preciousness of the materials used and the Japanese influence at play in this group of women,whose attitudes may suggest a meeting of meddling gossips, but whose nudity, hair and slightly protrusive jaws suggest something far different. In some versions, their hair tends to become a quasi-independent object, which only heightens the strangeness of this nevertheless familiar scene.
The ARTwork in the museum
Permanent collections – first floor, Room 16
We cannot guarantee the presence of all our artworks; some may be out on loan.
Discover the themes related to the work
Date of conception :
H. 45 cm ; W. 42.2 cm ; D. 39 cm
Onyx marble, Bronze
Inventory number :
© Photographic Agency of musée Rodin - Jérome Manoukian
- The Gossips or Women chatting(zip, 1529.4 ko)