Search the site
Vue de l'oeuvre
Dance Movements C and D
Auguste Rodin (1840-1917)
Between 1903 and 1912, Rodin used the same model, a young dancer called Alda Moreno, for a series of drawings and sculptures. He initially modeled two statuettes, which he then had cast in separate parts: heads, torsos, arms, legs. He reassembled these bozzetti in quite different poses, even if that meant extending a leg, bending the joint of a limb, tilting a head… Under Rodin’s fingers, the silhouettes changed shape like a dancer moving her supple body from sequences of limbering-up exercises to stretching to balancing postures. Rodin never showed this series of fourteen statuettes during his lifetime and nobody knows which positions he would have chosen to exhibit: Movement C may be presented with the head uppermost or pointing downward, while Movement D either stands upright or reclines on her back.
The Artwork in the Museum
Permanent collections - first floor, Room 18
We cannot guarantee the presence of all our artworks; some may be out on loan.
Discover the themes related to the work
Movement C: H. 34.3; W. 18.1; D. 11.8 cm Movement D: H. 35.3; W. 9.5; D. 10.4 cm
Terracotta; assemblage of press-molded bozzetti
Inventory number :
© Photographic agency of musée Rodin - Jérome Manoukian
- Dance Movements C and D(zip, 1124 ko)